Workshop 2

In workshop 2, the young artists, guided by Simon, expanded their listening to the outdoors, exploring the sonic environment around The Crew Club. They used portable audio recorders to gather sounds, and percussion beaters were used for improvisation with materials and found objects. An unexpected highlight was an impromptu group performance playing the railing that surrounds a forlorn and empty playground. Where lack of funds have seen the playpark derelict, the young sound artists found their own way to play, circling the railing and dragging their beaters and brushes over the tines of the railing as they ran around and around. A surround microphone captured the swirling, spinning metallic resonances as they reverberated around the nearby valley walls.

Simon James

Simon James is a self trained sound artist and composer engaging in deep listening to the unheard and hidden - mixing environmental field recordings with electronic sources such as the Buchla Electric Music Box, which over 10 years of exploration and performance has become Simon's main instrument.  Simon’s skills with the Buchla have been called upon by Massive Attack, Toy Drum, UNKLE, and Max de Wardener and have featured extensively in Emmy award winning composer Andrew Phillips' soundtracks.

Simon’s compositional approach is exploratory, playful and instinctive, focussed on timbral shaping, finding the sounds in between the sounds and exploring the relationship between these and field recordings.

Sound designs have been created for Heineken, Salesforce, Kaspersky, Dalmore Whiskey, Bushmills, Sheytan Jewellery and The Horror Channel, and in 2023 he produced a multi speaker gallery installation at the RIBA gallery in London. In 2019 Simon visited Shenzhen/Shanghai in China on a British Council residency, exploring the shapes and structures of architecture through sound and music. In 2023 Simon was the recipient of an Arts Council DYCP (Developing Your Creative Practice) award and used it to focus his practice around listening, the environment and community, which culminated in a residency in the Pyrenees with artists Mark Fell and Michael Von Hauswolff, where he created an interactive installation, ‘Can We Echo the Forest?’.

He has also recorded music as The Simonsound (with DJ Format) Black Channels (for cult soundtrack label Death Waltz) and under his own name for Lo Recordings and Castles in Space Records. An album of architectural resonance and Buchla electronics, 'Sounding the Shadows', is due for release on YYAA Records in 2024. He is currently developing an exhibition, 'Neolithic Cannibals', working with young people from the council estate where he grew up, for Brighton Festival, May 2024.

http://www.simonsound.co.uk
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Workshop 1