Workshop 3

Last week's Neolithic Cannibals workshop at Brighton Museum offered a unique journey into deep history. Exploring the Archaeology Gallery with Jon Sygrave from Archaeology South East, the young artists were transported to the Neolithic era, learning about the remains of Whitehawk Camp while surrounded by mysterious artifacts.

With skilled flint knapper Grant Williams, the artists experienced the intense sonic impacts and intricate crunchy processes of crafting tools from aged stone. It turns out that listening to the materials is very important when knapping. Observing the timbral and pitch changes as flint was worked, participants discovered a wide range of sounds within the ancient rock.

Using chalk gathered from Whitehawk Hill, artists translated Whitehawk Neolithic Camp’s patterns and shapes into graphic scores, for future explorations with electronic synthesizers. 

The workshop culminated in an improvised performance, where the artists gathered around a mock campfire, exploring the sonic potential of flints and recording their experiments with a surround microphone, capturing every gritty, resonant detail.

Simon James

Simon James is a self trained sound artist and composer engaging in deep listening to the unheard and hidden - mixing environmental field recordings with electronic sources such as the Buchla Electric Music Box, which over 10 years of exploration and performance has become Simon's main instrument.  Simon’s skills with the Buchla have been called upon by Massive Attack, Toy Drum, UNKLE, and Max de Wardener and have featured extensively in Emmy award winning composer Andrew Phillips' soundtracks.

Simon’s compositional approach is exploratory, playful and instinctive, focussed on timbral shaping, finding the sounds in between the sounds and exploring the relationship between these and field recordings.

Sound designs have been created for Heineken, Salesforce, Kaspersky, Dalmore Whiskey, Bushmills, Sheytan Jewellery and The Horror Channel, and in 2023 he produced a multi speaker gallery installation at the RIBA gallery in London. In 2019 Simon visited Shenzhen/Shanghai in China on a British Council residency, exploring the shapes and structures of architecture through sound and music. In 2023 Simon was the recipient of an Arts Council DYCP (Developing Your Creative Practice) award and used it to focus his practice around listening, the environment and community, which culminated in a residency in the Pyrenees with artists Mark Fell and Michael Von Hauswolff, where he created an interactive installation, ‘Can We Echo the Forest?’.

He has also recorded music as The Simonsound (with DJ Format) Black Channels (for cult soundtrack label Death Waltz) and under his own name for Lo Recordings and Castles in Space Records. An album of architectural resonance and Buchla electronics, 'Sounding the Shadows', is due for release on YYAA Records in 2024. He is currently developing an exhibition, 'Neolithic Cannibals', working with young people from the council estate where he grew up, for Brighton Festival, May 2024.

http://www.simonsound.co.uk
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Workshop 2